Tag Archives: Premiere

The Marriage of Stills and Motion

A cinemagraph is the marriage of a single still photograph and either a real time video or a time-lapse video.

Or both…

The technique of combining still photography with a motion clip to create engaging visual treats has been around for several years. Since I first discovered this amazing trick I’ve been looking or the appropriate time and place to produce my first one:


Press the play button to see it again and again and again…

The story behind this is simple: working with my client, we decided to end the first part of what we hope to be a 2.5 year time-lapse film with a simple yet elegant group portrait of the heavy equipment operators in their employ. While shooting this epic group portrait, (one of my specialties) I had an epiphany: this was the time and place for my first cinemagraph.

And so it went. After the photography session, I took the file into post-production to tone colors, add a cloudy sky, add an employee who was photographed separately and finally, added the company logo and date of operations:

time lapse group construction portrait

A look at what the camera records, (left) and the artists application of his vision afterwards. (right)

And just like that, my client has the perfect ending to the first chapter of their time-lapse construction film. Note: the cloudy skies in the still photograph above were used specifically for the framed prints given to each person in the photograph. The cloudy sky motion clips blended together in the cinemagraph had a different look and feel.

I’m planning on adding cinemagraphs to future time-lapse construction films.

Will yours be next?

Thanks for reading.

Michael

Camera 2 Camera Expo June 28-30, 2013 in Vegas!

 

Camera2Camera

Camera 2 Camera Expo…Come On Down!

I was invited to participate at next weeks brand new camera expo in Vegas. I’m putting on a 3-day time lapse workshop and a 90 minute Lightroom Develop Tips demonstration.

I’m bringing a Syrp Genie, an eMotiomo TB3, a Dynamic Perception Stage 0 Dolly, a Meade Instruments telescope pan and tilt head, a Promote Systems Controller amongst other gear that will be available for participants to handle and try out. Under expert supervision of course…  : )

I’ve been shooting a lot of content to show and all participants will have access to the gear.

We’ll be going out to a dry lake bed for an early morning shoot, to the Bellagio for an afternoon shoot and to the roof of the South Point Hotel Casino & Spa for our evening shoot. Afterwards will be working with Lightroom and Premiere to put our sequences together.

Participants are encouraged to bring their own gear but not to worry if you don’t have it all. I do.

This will be fun. I guarantee it.

The second program is about ways to use the Lightroom Develop Module to pull the moment out of your photograph. Called Fantastic Toning Tips, I’ll walk you through the must do’s that I follow plus a boatload of ways to add punch, drama and visual effects to one image or an entire time lapse sequence. (see above)

Hope to see some of you there!

Michael

What You Don’t Know, Learn

Regarding my ten month time-lapse project; principal photography is complete. Post production is under way. What began as an email inquiry from a representative of The Huntington May 2011, ended with a flourish as dignitaries and donors visited the Japanese Garden for the dedication ceremony and reception April 12th. Over 103,000 photographs, video clips and sound effects were generated during the course of this 10 month assignment. What a gas!

As I begin the post-production process in earnest, (I’ve already spent about a hundred hours designing, practicing and refining the workflow) I took stock of all the applications I was unfamiliar with at the beginning of this project and the ones I use now as a result of this project.

The list above is in order of familiarity: Photoshop, Quicktime and Keynote were all applications I’ve been working with for years. Garage Band, Lightroom, Premiere, Soundbooth and Media Encoder are the applications I’ve had to learn in order to produce the contract deliverables.

It’s not that I don’t particularly want help from other specialists (I’m currently looking for a composer) it’s just that in order to know what I wanted I had to be able to create variations so I could finalize the look. Additionally today’s technological breakthroughs have allowed us SECP types to flourish in ways we never could before. The potential contained in the last sentence is awesome.

After going through many, many iterations, I finally have the look I want.

Some of the conclusions I’ve come to during this learning curve: editing is crucial to the success of any motion picture project. Jump cuts, dissolves, playback rate and cropping help drive audience reaction the visual elements. Volume, cross fades and wild sounds are just as important to the audio content. This is by no means an exhaustive list but you get the idea. There is A LOT that goes into a time-lapse, especially one with a strong narrative.

As part of my post-production protocol, I’ve been partaking in webinars, reading blogs, talking to experts and experimenting based on my new knowledge and skill sets. This IMHO is what is required to deliver new and innovative content for a fast-evolving marketplace and client expectations.

Good luck and let me know if I can help you.

Thanks for reading and comments welcome.

Michael