Way Up There All The Little Things Matter

As more construction time lapse projects come into my office that require long term self-contained self-powered systems, it became imperative
to develop a check list to ensure that camera controls, intervalometer settings, power set-ups and connections are appropriately set so I can sleep at night.
And by association you’ll sleep better too. A checklist takes on more importance the higher up and less accessible the installation location is.
To wit: The Gerald Desmond Bridge Replacement Project currently under way at the Port of Long Beach, (POLB) is the type of assignment I’m talking about here…

That's my little baby  up yonder
That’s my little baby up yonder

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The corporate headship and its’ variations…

 Photographer Michael e. Stern

Michael e. Stern, professional headshot photographer

The day has come when you (gulp), can’t put if off any longer. You need a professional head shot, an update or a brand new one. And you want it to be really good. You may not realize it but trust me you also want to experience a good time, enjoy a few laughs and gain insight into the process of crafting a professional level head shot. But don’t overlook the most important aspect…the delivered image must work for you. I certainly keep that in mind for you. FYI, the photograph above is a self-portrait. I don’t recommend the “Selfie” technique unless you’re knowledgeable in what to do.

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Decisions That Drive The Time Lapse Narrative Forward

Dynamic Perception Stage 0 Dolly and the eMotimo TB3 Black
Dynamic Perception Stage 0 Dolly and the eMotimo TB3 Black

What should be your guiding principal when planning shots, especially when it comes to motion control time lapse sequences? The four keywords I keep in mind are: education, documentation, preservation and entertainment. Every decision I make rides on the backs of these four words.

I jumped into time lapse photography in ’03 and have been hacking away at it ever since. During this time, I realized I was developing a new specialty: the commercial time lapse narrative. Now I offer a boutique experience to my market in that I shoot time lapse projects with the mindset of a movie director. I offer and provide multiple camera set ups daily, weekly and monthly. In addition to the usual fixed or static camera that records all that happens in front of it I also place what I call rover units throughout a site in order to tell the complete story, whatever it may be…thus the decisions that come with this approach.

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