Time lapse photography is very hot right now and I’m grateful for the amount of commissioned work that’s come my way on a steady basis. My clientele have been generous, supportive and appreciative of the stories I’ve produced for them.
On most set ups, I take BTS snappers of my camera rigs. These photographs are used for reference and for the many talks I give on shooting commercial time lapse assignments.
C-stands, Gorilla Pods, Magic Arms, adjustable A-Clamps, segmented tubes, sandbags, apple boxes and tripods are fair game, especially when I have to rig in odd, out-of-way places: on scaffolding, attached to structural beams, wrapped around tree trunks, setting on soft earth or resting on rocks and boulders.
So without further ado, here’s a rogues gallery of my hanging hardware…
Moving cameras along a vertical axis requires a 27:1 stepper motor. Real power for driving up and down in a controlled fashion.
