TAKING SOMETHING BEAUTIFUL AND BROKEN AND MAKING IT WHOLE AGAIN

One fully restored Faux Bois tree at the Huntington

Faux Bois Tree Huntington Gardens
A beauty shot of the final Faux Bois tree rebuilt by Terence Eagan.

I’ve specialized in 3-5 minute construction time-lapse films for about 8 years. In 2018 I produced my first construction documentary film. It’s 26 minutes long and includes music specifically written for the film.

What It Is

Faux Bois At The Huntington is the story of taking something beautiful and broken and making it whole again. This film features the work of Terence Eagan, a sculptor who restored and improved the original 100 Faux Bois trees dating to 1915. Faux Bois is the French Decorative Art, dating to 1860, of making imitation wood structures out of iron rods, wire mesh, barrel bands and concrete. In 2010, Terry began repairing a century of damage to the trees that replaced the Victorian Rustic Movement native oak log and timber arbors that Henry Huntington loved but frequently needed attention. Not so with concrete trees.

Getting Educated

Incorporating hours of video and time-lapse footage, location sound recording, purchasing original music and mixing sound effects was me punching above my weight class. Exhausting. Fun. But exhausting. I brought in several experts throughout but knowing when to do so and vetting the folks I hired was a new experience for me too. Love the life-long learning stuff when you’re self-employed!

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THE BIG TWO OF TIME-LAPSE FILM PRODUCTION

Be it indoors or out, demolition, grading or construction, when I’m hired to produce your time lapse film, there are two things on my mind: data collection and data management.

Granted there are four sub-sections inside the two and that’s the purpose of this article, to flesh out exactly what needs to happen to do it right:

1)     Fixed Camera
2)    Aerial Video
3)    Rover Days
4)    Post-Production

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It’s Magic When Things Move

It’s the motion that makes me do what I do. As anyone who reads my blog…(both of you, where ever you are, thanks!), you know that after 31 years as a still photographer, I switched to time lapse in 2011. It’s what I specialize in now and as part of that specialization, motion control is a huge part of what I do for you. Done while in the field during principal photography, (but sometimes or in addition to), motion control can also be done in post production:

password: post-effects

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The definition of cool under fire, this is one quality you definitely want your professional photographer to possess when commissioning a time lapse project. Especially if your project is located at a construction site with heavy equipment moving about. Safety first is crucial of course but the dynamic nature of medium and large scale construction sites guarantee that unexpected opportunities arise and as a time lapse specialist who spends a lot of time on site, I’m present to time lapse those unexpected moments, danger notwithstanding.

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