While driving to an out-of-state shoot in December of 2015, I received a call from the marketing director at Mitsubishi Electric US. They were interested in having a time-lapse marketing…

How I Evaluate What Shots Will Work

A Case of Stage Site

The Site Is Live Theater

For me, project locations are large stages, with the action (construction process) playing out during multiple, daily scenes, using specialized and off-the-shelf props (hand tools, concrete pumps, tractors, etc.) by the actors (workers and supervisors). Add in ever changing and dramatic lighting conditions into this mix. For a location photographer like myself, (who specializes in time-lapse film production) the lighting conditions make or break great shots. I cannot stress this aspect enough.

Speaking of the light, there are three qualities of light: direction, unfiltered sun (specular) or cloudy bright (diffused) light. You could add overcast conditions where the the sun is totally obscured as a fourth category. The mixture of light quality and activities happening makes or breaks a great day of filming. The way the light falls on the stage throughout the day should be taken into consideration. There are other light qualities to consider, (nighttime lighting) but that’s for a future post…

The Responsibilities of the Director

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“The thrall of great sweep and the poignancy of meticulous detail” – Jeffrey Fleishman

This quote is from a story Jeff did for the LA Times back in September. The story was about The Birth of A Nation and it was engrossing. At a particular point in the story, Jeff came up with the above quoted line when describing D.W.’s work. (And yes I wrote, asked and received permission to quote Jeff) What struck me about the line was how apropos it was when applied to my work: construction and industrial time-lapse film production. My projects occur at large active job sites, where men and women abound and an incredible amount of equipment (from items off the shelf at Home Depot to highly specialized gear that can cost upwards of a thousand dollars an hour to operate) is deployed…

I am absolutely charmed and mesmerized by life on a construction site: the noise, hard work, the specialty tasks that play out every day, it’s all good for me. From project managers, engineers and surveyors to the young guns just beginning their careers, it really fascinates me. It’s the scope of it all, the ultimate grandeur that results from meticulous planning and execution. All projects begin the same way: from dirt. Whether it’s demolishing something first or starting from pristine earth, every project deals with dirt, above and below ground. Then it’s pouring the foundation, building the walls, wiring, roofing, etc., (plus a ton more) until it’s all done. And the frequent scaling of men and machines on site is as tightly a choreographed dance  as you’ll find anywhere. Add bad weather and seasonal changes to the mix and you’re in for quite a ride all righty.

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The Beginning

As a kid playing make believe construction, one of my favorite things to do was constructing buildings and environments and the stories that went with them. Fast forward to my adult life and photography career and many times I desired to redirect what I was being paid to photograph to focus exclusively on industrial landscapes, especially large outdoor locations. The allure of oil refineries, manufacturing plants, construction sites and the like swirled around my mind constantly. If the work included travel, so much the better. I was studio bound for years and happy. Business was good. I look fondly upon those days.

Nevertheless as much as I pined for a different type of photography career, I couldn’t get myself motivated to produce a portfolio showcasing this desire beyond the occasional self-assignment. When the infrequent industrial assignment came my way, I didn’t build upon those opportunities. I couldn’t identify the issues at play for me to understand why I wasn’t heading towards my hearts desire. So I kept at what I was being paid well to do: products, architecture, copy work, lab services and headshots. In 2003 I went into teaching more or less full time, thoroughly enjoyed that career and found the answer…time lapse! (more…)

For the most part when I get called to produce a construction time lapse film, the request falls into one of two categories: a) …“we’re starting tomorrow, (or in the…

During production on a recent grading time-lapse project for a new client, they asked me to produce a demolition time-lapse going on in another part of their soon-to-be-sold property. The…