This post is in response to a request by Jane Smith and the Copyright Alliance. All of us professional, commercial, fine and part-time creatives must endure to protect our creations. Not only is it a money issue but it is our sworn duty to look out for ourselves and others of our ilk. At the very least inform your supporters, clients and patrons the lay of the land when it comes to ownership, copyrights and licensing of creative work. You say you don’t know a thing about these topics? Shame on you! Get your fingers a’ typin’ and RESEARCH SO YOU ARE INFORMED! There is no excuse for not becoming familiar with these topics. If you don’t want to know about them then get a job and have someone else “take care” of you and yours. If you want to live on the outside, then protect your work and inform others! It’s our collective call to arms!
Many years ago I negotiated a licensing agreement with the Walt Disney Company. In 1998, Roy E. Disney commissioned me to create a portrait of him for the book “Fantasia/2000: Visions of Hope”. It appears on page seven and along with my customary and usual photo credit, the © also appears. That’s the power we own if we know how to wield it correctly. Many years later as I was writing my book, it wasn’t a problem using this photo in my discussion about my portrait work. All I needed was a model release from Roy, which he willingly signed in 2005.
All of my proposals and contract spell out the usage and ownership issues. My metadata also spells this out. And when I send my images to the Library of Congress for © registrations, it’s spelled out there too.
What are you all doing about this?