For years I’ve been a Bridge and Photoshop workflow geek. I didn’t see the need for Lightroom or Aperture even though I purchased version 1 of both applications. But all that changed after I shot 100,000+ images for my time-lapse project and at the same time was asked to teach a class in Lightroom, Photoshop, color management and inkjet printing. I was forced into this learning curve by necessity but can accurately say I have no regrets. Lightroom is an incredible time-saver and allows for a measure of control that inspires me to envision new ways of interpreting my work. Hence this post.
Click on the images to see them at full resolution….no stealing!!!!
For each of these images, I was in the Develop Module. Working with many of these adjustments I was able to create what I call my “Bonanza Faded E-6 Film Look”. I was a huge fan of Bonanza and watched reruns religiously back in the 90’s. I’m a huge fan of the outdoors too. I also love the look of faded color slides. All three came together after I went on a camping trip to Sequoia National Forest in May. As I was looking at my take I started thinking about Bonanza, Little Joe, Hoss and Ben. And it hit me, the perfect storm of nostalgia, landscapes and historical photography….I was going to take these images to a place I usually never go…a place where I’m really interpreting a feeling and my emotional response to the work. You have to appreciate that most of my work is straight-forward interpretation. Except for my portrait work I usually deliver very clean documentary type imagery. This work represents a huge creative step for me. More below….
After each interpretation I saved the work as a preset to be called upon when needed. As I made a preset and saved it, I then made it active on subsequent images. If I liked the look, then all was good. If I went and tweaked the preset because I felt the current image needed a bit of additional work, then that was saved as a new preset. This method helped me build a collection of 18 presets for this catalog of work. And these presets can be used on subsequent catalogs of images. Sweet.
I want to add two items that don’t show on the screenshot of the Develop Panel above: Lens Corrections and Camera Calibration. I set my lens corrections so any distortions are removed and my camera calibration is always set to neutral so I am always working on a base RAW image without interpretation from Canon’s Picture Styles.
I haven’t had this much fun working on my files in quite awhile….